Thursday, May 25, 2006

Conversations With Bobby (aka Darby Crash)

Or... Everything you never wanted to know about me and Darby.


Darby and me backstage at Mabuhay Gardens, January 1978.
Photo credit: Ruby Ray.

I have at various times been asked to do interviews about Darby Crash. Usually it goes like this: the interviewer is writing a piece and he or she is trying to make a certain point and is looking for anecdotes which will validate that point. Often, the area of focus is Darby’s followers, his suicide, his drug use, etc., things I know very little about.

Although I was close to Darby for a very short period of time, I feel that there is a piece of the Darby puzzle that would be missing should I neglect to tell you of the Darby (Bobby Pyn, when we first met) that I knew. Sometime during the spring of 1977, Darby and I began talking on the phone on a somewhat regular basis. Much of our conversation was trite and gossipy, but some of the more interesting themes we discussed are summarized below and they provide a glimpse into his world view.

Darby and I both loved philosophy. I had picked up my first philosophy books at a used book store in Whittier that had a cozy little section called Plato’s Cave. Darby was very focused on Existentialist philosophy. If you’re not familiar with Existentialism, it basically states that existence precedes essence. Individuals shape who they become through a series of free acts. I agreed with this. But certain schools of Existentialist thought also propose that universal logic and universal truths are non-existent. It is the individual who defines everything. This was problematic for me. I did and do believe in universal truths. It seemed to me that the kind of Existentialism that Darby was talking about sort of let people off the hook as far as moral responsibilities were concerned, since morality would be subjective. It seemed to me that what Darby was saying was that if you could rationalize it, you could do it.

Unfortunately, philosophical arguments are sometimes more concerned with rhetoric and semantics than they are with seeking the truth. The whole idea of “seeking the truth” was ludicrous to Darby. He took the Existentialist view that there are no external truths. To me, Philosophy by definition was concerned with universal truths. Lovers of wisdom, that’s what the word philosophy means, not lovers of words.

Darby had a great command of language and could make clear, logical arguments that were difficult to refute. We’d spend long hours on the phone, tossing arguments back and forth. Although I learned to speak English in elementary school, I didn’t have mastery of academic English and some of the expressions I used were translations of Spanish words. I simply didn't know the English words for some abstract concepts. Those limitations probably made my arguments harder to follow, but Darby didn’t seem to mind. We always had fun discussing and arguing. We didn’t often see eye to eye, but at that point it didn’t seem to matter.

Sometimes when we were talking on the phone my mother would interrupt and ask me something in Spanish. This always fascinated Darby, who would demand a translation of what my mother had said and always wanted to know what she meant by this or that. We used to talk a lot about the role of language in defining culture. I once heard a saying that the limits of one’s language are the limits of one’s world. I think it’s safe to say that we both believed that. I think that idea made my bilingualism attractive to Darby. I used to boast that although my vocabulary in English might not be as large as his, I had a whole other set of vocabulary words in a different language that I had access to. I’d irritate him by telling him that my total vocabulary, if you included both languages, would surpass his.

We once had a lengthy discussion because while I was on the phone, my mother came in and offered to make me a quesadilla. Darby asked me why we had a word for something as simple as a tortilla with melted cheese. I reminded him that Americans have the grilled cheese sandwich, and he added that Americans even have a name for toasted bread: toast. We started talking about the fact that Eskimos have a huge number of words to discuss different varieties of snow, and all of this led to a discussion of language and culture. We talked about how the values of different cultures are actually transmitted through language when a child is first learning to speak, so the more you know of another person’s language, the more you know about their values. In retrospect, I can see that what has always appealed to me about learning different languages is the ability to understand and be understood and thus share a new culture, but for Darby, language held the key to something else: the ability to tap into the underlying emotional content of the words themselves. Mastery of language could be a tool to influence others through manipulation.

Another topic of interest to Darby was the fact that I had gone to Catholic high school. I think Darby had gone to a very loose high school, very different from mine. I told him stories about Catholic school. I told him about the ring ceremony that we had in high school when receiving our school rings, that sort of thing. Symbols and the process by which a secular object can become sacred were fascinating to him. I don’t know if Darby had been raised Catholic, but I know he was familiar with Catholicism. I think Mexican Catholics do things a little differently than most. He found it amusing that my mother used to keep a picture of the Archangel Michael by the front door in order to keep Satan out of our house. She’d make little bargains with the saints and in exchange for their favors, she would make offerings of candles or Milagros. Other times she’d give up certain things, like sweets for a month, to pay back a saintly intervention.

My mom had a whole bunch of little folk/religious rituals that always seemed to capture Darby’s interest. In those days, my mom rarely went to doctors. She preferred the curandero or sobador (faith healers) and depended on herbs, teas, oils and prayers to make her well. Darby enjoyed hearing the details of the latest cure. We could always laugh about my mom’s curandero antics, but Darby was always respectful of her. He never met her, but on more than one occasion he expressed an interest in doing so.

Darby and my mom would have been in agreement about one thing and that is that neither of them saw any real difference between formal religion and folk religious practices. I always felt that the folk ways were closer to brujeria, witchcraft, or magic, but Darby and my mom saw both things as equally valid.

Although I had already stopped calling myself a Catholic by the time I met Darby, I was still having trouble admitting to myself that the concept of god that I’d come to trust and believe in was no longer serving me very well. In fact I had outgrown it intellectually, but not emotionally. It was a topic that was especially painful for me to discuss with him because he seemed so cynical about the existence of god. Darby felt that I was an atheist, but was just too cowardly to admit it to myself. I felt that I was not an atheist, but I knew I wasn’t a Christian, nor was I an agnostic because I still had a firm belief that there was some force or power in the universe which encompassed divinity, but I couldn’t put it into words. It was that whole limits of my language thing coming back to haunt me!

That’s when David Bowie came to my rescue. I remembered reading of David Bowie’s interest in Eastern religion. Reading about Bowie made me curious about Buddhism and Hinduism. I’m not sure if that’s how Darby came upon it. I know that Darby was a Bowie fan so it’s possible that his interest originated there, too. Although we talked about Eastern religion at length neither of us was ready to commit to any organized religion. And although I was experiencing a crisis of faith, Darby did not seem to share my predicament. The study of other religions was less a search for answers about spiritual matters than a phenomenological investigation of mankind’s search for meaning.

Although we disagreed on many subjects, we also had many common interests. We always seemed to be coming at things from opposite perspectives. One of those interests was Adolf Hitler and the propaganda of the Third Reich. I had read Alan Bullock’s book Hitler: A Study in Tyranny, and thought it was just what the title claimed it was, a study of a tyrannical leader. Darby was impressed by Hitler and seemed to think that Hitler was a great leader. I objected to the honorific great because I felt that Hitler had actually led his followers into destruction and moral decay. Darby didn’t feel that a leader had any moral responsibility to his followers. From Darby’s perspective, a leader who achieved his or her goals was a good leader. From mine, a leader who helped his or her followers form and achieve goals that would serve mankind as a whole was a good leader.

In addition, my great leader had to make decisions that were in accordance with universal truths. In other words, he or she would have to help people act in a way that was morally responsible. As I said before, Darby didn’t buy into the whole universal truths thing. I think he felt that what we call universal truths are more a reflection of cultural, religious or societal values. Darby’s great leader was more of a puppet master whose worth was measured by how well the puppet show was orchestrated.

We also shared an interest in Charles Manson. Darby and I had both read Helter Skelter and we were both interested in the ways in which Charles Manson had been able to persuade a group of seemingly intelligent people to do his bidding without stopping to question the reasoning behind it. Manson, Hitler and Joseph Goebbels were all masters of reaching people on such a deep emotional level that the individual’s intellectual ability to question their directives seemed to be overridden. What was it these leaders were supplying? Were they filling an emotional void, appealing to people through symbols or language on a subconscious level, or were they simply skilled speakers who could convince others through rhetoric? Whatever the reason, it was clear that by skillfully supplying, then controlling the supply, they could control others.

Both Darby and I wanted to be famous. At that time, we may have thought that understanding what people want and need could help us get what we wanted. We didn’t so much want fame for money or popularity; we wanted the power to be able to influence people. I grew up in a violent household where I often felt I had no control over my surroundings. Power and control were things that seemed very attractive to me. I wanted to become famous and make the world a better place. I know it sounds corny, but I was young and idealistic. It may seem incongruous with my stage persona. I was always so angry and aggressive, but I was exorcising my demons. For me, screaming and being out of control on stage was a release. I think I always knew that if I could rid myself of some of the shit that was obscuring my view, I’d be able to find the answers I was seeking. Despite Darby’s low opinion of the intelligence of the masses, an opinion which I must confess I shared for a while (and still question around election time), Darby’s anger always seemed to me to be directed mostly at himself.

I do think he had a special way of connecting with people, and I think he inspired many, including me. He had a great sense of humor, was smart and very clever. I was not friendly with him towards the end of his life because our philosophical differences, the way we chose to lead our lives and the way we treated people was always a source of conflict. He hated the way I would take the time to talk with fans at The Bags’ shows. I remember the look of disgust in his eyes when he saw me talking to one particularly awkward-looking fan. He lectured me about lowering myself to the level of this audience member because he saw the role of performers and artists as people who should be looked up to. He believed that people need leaders and heroes. He told me that fans didn’t go to see bands to watch someone who was just like them; they wanted to see someone special and larger than life on stage.

As time passed, Darby’s preoccupation with control and manipulation began to get on my nerves. I turned down Darby’s invitation to have my wrist burned – to receive a Germs burn. In fact, I threatened to kick his ass if he dared to burn me with his cigarette. It always reminded me too much of cattle being branded. I still don’t really understand why people continue to do it. Maybe someone will write in and explain what it means to them.

At some point, it became clear to both of us that I wasn’t interested in playing a part in his game. Darby had been great fun to be around. When you were with him it was as though you were a member of a club. He knew how to make people feel like family. But there was a price to pay for being part of that family and I didn’t want to pay it.

In the end, many of the things Darby believed were at least partially true. Many people did (and do) want heroes who were not like themselves. They want to project their hopes, dreams and desires onto the performer on stage. Darby was smart and charismatic enough to have become the puppet master he wanted to be, but the ironic tragedy of Darby’s life is that he became a drug addict. For someone who placed so much value in control over others, it must have been hard to accept that he was dependent upon others to supply him. Maybe he thought he was still in control at the end and his overdose was his last Existentialist act of free will. Or perhaps not. It’s just very sad to me that he ended his life so soon.

I’d like to end this rambling entry by stating one credo I have chosen to live by: Question Authority. It has served me well. I don’t believe that I need to follow anyone’s rules simply because they happen to be in a position of authority. Yes, I understand that this can entail consequences, but I evaluate and accept those consequences if I feel it is worth it. I express my opinions here because it is, after all, my Diary, but they are just my opinions and anyone should feel free to express a differing opinion or disagree with me. But you can expect a good argument.

Wednesday, May 17, 2006

Women In L.A. Punk, Part XX - Tracy Lea



Tanya Hearst's violent death scene from Desperate Teenage Lovedolls, as performed by Tracy Lea.

I first met Tracy Lea while I was playing with Castration Squad back in the early 1980’s. Shannon Wilhelm introduced us. I remember being impressed by her beauty and youth. She had shorn her hair into an extreme “boy-cut” that contrasted nicely with her sweet looks. Around this same time, she was also playing rhythm guitar with the band Redd Kross and you can hear her riffage on the garage/bubblegum/punk classic “Born Innocent.” Tracy was one of those people who brought fun and enthusiasm to a project. She had and still has a great and rather dark sense of humor.

In 1984, Tracy was immortalized on Super 8 film by Dave Markey in the star-making role of gang leader Tanya Hearst in Desperate Teenage Lovedolls, which is now available on DVD from We Got Power Films.

I recently had the pleasure of playing with her again in preparation for the Castration Squad reunion last year. I discovered a new side of Tracy. I had no idea that Tracy had developed into a talented songwriter and had also written and produced her own short film based on the Castration Squad song, “Piece of Me.”

Her riffs are cool, her lyrics are clever and she’s one tough bitch. I give you Miss Tracy Lea-Marshak-Nash.

Click on the Women In L.A. Punk thumbnail to read her interview.


Friday, May 12, 2006

A Letter To Paul

I received a comment on one of my previous blog entries that I felt compelled to respond to:

"Hi Alice -

I really enjoy your blog and love your music. I thought this was an excellent post as well, though I do have one relatively minor point:
you state that people have been speaking Spanish on this continent for much longer than they've been speaking English. Firstly, that's not really true (earliest permanent English settlement is 1619). Secondly and more importantly, however, I don't really think it's a terribly germane, persuasive, or productive point.

Allow me to expand on that a little. I should state right up front that I'm Italian/Irish by descent, born & raised in California. I'm very left-wing, but I have always found the "Aztlan" wing of Chicano activism kind of silly, with its barely suppressed fantasies about "reclaiming" parts of the former Mexico "stolen" under the Treaty of Guadalupe Hidalgo.

The point I'm trying to make is that this land, if it truly _belongs_ to anybody, belongs to the native inhabitants, who were initially massacred by the Spanish, then the Mexicans, and then the Americans.

After all, most of what the U.S. took from Mexico had only been "Mexican" for about 80 years at the time anyway (before that, of course, it had been part of the Spanish Empire, and before that, it just belonged to the peopole who lived here, the Native Americans), so it's been "America" for much longer than it was ever "Mexico" by now. I think it's kind of a dead-end argument.

To put it another way, there's plenty of blood on plenty of non-Indian hands and I think that the rights of current Mexican workers in the U.S. are probably best addressed with attention to their extraordinary contributions to America's cultural and economic well-being, not by reference to vaguely retributive notions of historical propriety.

Just my $0.02. Thanks for a passionate and thoughtful (and thought-provoking) post.

- Paul"


Dear Paul,

Just for the record, the first permanent European colony was established by the Spanish in 1565 at St. Augustine, Florida. The colonists spoke Spanish.

I think it is important to establish that the Spanish language predates English in large parts of the United States because to deny it is to deny a part of American history. To deny it is to deny that some Spanish speakers can trace their family’s history on this land further back than the progeny of the signers of the Mayflower Compact.

It is the people who deny America’s heritage who are divisive. I am not afraid of a little diversity. I don’t think the United States will turn into the Tower of Babel if we are allowed to speak more than one language. On the contrary, I think we will understand each other better if we all make an effort to communicate our mutual respect for one another.

So why shouldn’t we speak Spanish? Why shouldn’t we celebrate our cultures and our languages here in Aztlan?

Aztlan is a metaphorical homeland. It is a time, a place, a state of mind where the distinctions of race, creed, and country cease to divide us. If you went to the huge demonstrations supporting immigrant rights, you were in Aztlan.

I not only believe that we will reclaim Aztlan, I am certain of it. In fact it’s happening already. People are reclaiming it by becoming involved in shaping this country into a place that no longer treats immigrants and minorities as second class citizens.

I do agree with you about two things: immigrants do make huge contributions to the cultural and economic well-being of this nation and that the blood of indigenous people is on the hands of many.

Thanks for writing. I leave you with the artwork of Artemio Rodriguez, which pretty much sums up the American Dream as far as immigration is concerned.
Alice



"American Dream" - woodcut by Artemio Rodriguez


Sunday, April 30, 2006

May Day Bagcast # 5 - Pop Faves and J-Punk

I've finally gotten around to selecting songs for my next podcast and I couldn't settle on a single theme for this one. The set ended up as a 50/50 split between what I would call pop songs and Japanese punk rock, which fascinates me.

The Decemberists - We Both Go Down Together. Just a really great love song. Their whole album, Picaresque, is definitely worth checking out.
Quetzal - La Migra. Featuring the outstanding vocals of Martha Gonzalez. I watched this band grow up and I am so proud of them. They are a world class act with a message that needs to be heard.
Mummy The Peepshow - This Charming Man. A Smiths' cover that really bounces along.
The Dresden Dolls - My Alcoholic Friends. From their new CD, Yes, Virginia...This band is a must-see live. Few acts can connect with an audience like they can.
Kristian Hoffman - I Don't Love My Guru Anymore. I love this song and the fact that I put Kristian immediately following another song about alcoholic friends is purely coincidental. Not.
The Hives - Supply and Demand. Time to wake up!
Thee Michelle Gun Elephant - Flash Silver Bus. Garage punk a la japonese.
Mihimaru GT - Mihimarhythm. Super feel good dance pop.
Flans - Timido. The great 1990's Mexi-pop group that inspired Cholita.
Lulu's Marble - The Hanky Panky. Rough and dirty version of this 60's staple.
Young People With Faces - So Annoyed. Punky, spunky kids from Ketchum, ID who inspired me to name my next band "Old People With Fat Asses."
Gito Gito Hustler - Ambition. I recently saw this Japanese band live in Phoenix and they were a lot of fun and very sweet to my daughter, too!
Seagull Screaming Kiss Her Kiss Her - No Star. Sounds nothing like "Kiss The Girl" from The Little Mermaid.
Lolita No. 18 - Fortune Cards In Tibet. This band brings out the Japanese teenager in me.

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Wednesday, March 29, 2006

Women In L.A. Punk Part XIX - Spock

Backstage Pass was one of the bands who helped to usher in the era of punk rock in L.A. back in the mid to late seventies. They were also one of the few rock bands up until that time to feature female musicians. They rehearsed at and were one of the first bands to play the Masque, which is probably where I saw Spock for the first time.


Backstage Pass live at the Masque, 1977. Photo credit: Donna Santisi

Backstage Pass, as I've mentioned before, was one of the more musically competent acts around at the time. They were also slightly more theatrical in their performances than some of their punk contemporaries. The band's sound was somewhere between power pop and punk and their presence at the Masque proved that the label of "punk rock" in the late 70's had more to do with attitude than musical style. The fact that these women were writing and performing their own songs proficiently in an unabashed, sexually assertive manner made them unique.

Click on the Women In L.A. Punk thumbnail to read her interview.


Monday, March 27, 2006

Shooting From The Lip



Photo Credit: Bob Chamberlin/LAT

Thank you Los Angeles! After my little blog tirade a few days ago, I received a bunch of mail from Angelenos telling me about the incredible demonstration that happened in L.A. this past weekend. Reports vary as to the number of demonstrators, with estimates ranging from 100,000 to over a million, but regardless of the exact number, all reports describe the march as the biggest manifestation in California history. The march was to show solidarity with immigrants. The photos were awe inspiring, as were the reports of walk-outs in L.A. schools, where the students protested a proposed bill that would require students to show proof of citizenship. It’s strange that this march was happening as I was writing my little rant. I didn’t know anything about it and despite the fact that I was miles away from L.A., somehow I was on the same page. I know it sounds kooky, but I think I’m still connected to L.A. somehow.

I found out from some of my new friends here in Arizona that there was a demonstration here in Phoenix too. In fact, there were many marches all over the country, in places like Santa Barbara, San Francisco, Flagstaff, El Paso, and Chicago. I hope that those of you who were there will continue to share your stories and photos not just with me, but with the readers of this blog. Many of you write to me and tell me that I have inspired you at some point. Well, you inspire me too. You remind me that even though each one of us is an individual, we need to work together to make things better. Oh yeah, I know you’re thinking Kumbaya and all that groovy stuff. But even though I’m old enough to be bitter and cynical about the future, I refuse to accept that we can’t take this out of control train of a world and set it back on the right track.

And speaking of being out of control, I want to thank you all for being so tolerant when I get out of control. I think if you’ve been reading this blog for a while you probably have a pretty good idea of who I am. You didn’t call me out when I used the term redneck; you understood the humor in “Hitler Was A Homo”, the silly Oi song I put in my podcast, even though we all know it was in bad taste and slams two of my favorite groups to champion, women and gays. Still, my conscience bothers me.

Recently a friend sent me an email which made fun of African Americans. Not recognizing the sender’s name, I immediately fired back a reply asking that he/she not bother me sending me their racist shit. I received an apologetic reply within minutes from this friend of mine. The odd thing is this girl has always been totally PC. I never thought of her as racist, and I’m sure she doesn’t see herself that way. I guess what I’m saying is you guys let me off easy. Sometimes I need to be called on my own bullshit. My reactionary tendencies sometime get the better of me and I have always been the type to fight first and ask questions later, as Darby Crash found out on many occasions. But I also believe that I’m no better than anybody else and that we all need to help each other see where our ideals and our actions are inconsistent.

Shooting from the hip,

Alice

Saturday, March 25, 2006

Immigrant Song



The local Phoenix newspaper published this letter to the editor earlier in the week and it really upset me when I read it. Illegal immigration is a major political issue in this state.

I have to admit that Arizona and I have been going though our honeymoon period. I love the desert at dusk when you can see the wide open spaces and the mountains in the background. I've been pretending that I'm in the old west and it doesn't take much pretending; out here on the northeastern edge of Phoenix some people even ride horses to the supermarket. Anyway, I almost forgot that the old west had one other element which was absent in my fantasy: rednecks. People for whom "Remember the Alamo" means more than remembering where to return your rental car. I'm talking about people like those little men, with little minds. I believe they prefer the term minute instead of little, but they have no relationship at all to the revolutionary war militia who believed in freedom from tyranny. These rednecks are just hate mongers whose minute minds don't understand that their way of life depends on illegal immigration. They don't understand that the riches of this land were built on the backs of slaves, indentured servants, peons and now illegal immigrants. Why else would George W. support amnesty and an immigrant worker program? Because it's good for business. Cheap labor is grist for the mill.

Rich is a relative term. The only way for someone to be rich is for someone else to be poor. Here in the U.S. we are rich because we pillage the rest of the world, we buy cheap goods manufactured by people who are made to work in inhumane conditions, we outsource our labor needs to third world countries and we turn a blind eye to illegal immigration in order to provide cheap labor. It's Economics 101, baby. We create situations all over the globe that make people want to leave their destitute nations and come here to the land of milk and honey, and then we feign outrage when a few tenacious souls actually make it here. And what do they get when they get here? You know as well as I do. They take the shittiest jobs, the worst working conditions, and then they get blamed for taking American jobs and welfare. But who else is going to keep the grass trimmed on all the golf courses when it's 100 degrees? Who's going to wash those shiny new Humvees?

In the past few months that I've been in Arizona I've seen so many "help wanted" ads in this ever-expanding city, that I can assure you that nobody who wants a job has anything to worry about. But it's not the jobs that this woman is complaining about. She is complaining about the immigrant children taxing the Arizona school district with their lack of English skills. She tries to sound concerned about their ability to succeed in the U.S. without English skills. Well, guess what, we Hispanics already know that. But let's not kid ourselves, people have been speaking Spanish on this continent for much longer than they've been speaking English. You can't simply erase the history of Arizona. Arizona was part of Spain and then part of Mexico, and as such was Spanish speaking. Having a Spanish background is an undeniable and inextricable part of American heritage, especially in the Southwest. No amount of intolerance will ever completely remove Spanish from our lexicon. We don't need a bully telling our kids that she's not going to tolerate them if they don't learn English. And what exactly does that mean, "we will not continue to put up with them"? What are you going to do, meet them in the playground after school?

Shame on you, Chelsea Taylor. As a veteran teacher, I've taught hundreds of kids to speak English and never once did I have to threaten one. I think the one who is not going to be tolerated is you.

I don't think that this woman represents the majority. Most of the people I've met out here are not racist, hate mongers. But it only takes one to piss me off.

I'd like to close this rant with a little ditty by Cholita which I think pretty much says it all: "Beans Are Not Enough." Here are the lyrics so you can sing along!

Beans Are Not Enough

Here in the USA you eat sushi and pizza
Sprouted grains and whole wheat buns
But in the fifth world, children are starving
They're eating beans and constantly farting

But you don't care, you don't give a damn
You've made them your sacrificial lamb

They can't eat their Wheaties in the morning
Have a croissant or baguette
Cappuccino, latte or espresso
They don't have that kind of shit

But in the fifth world, children are starving
They're eating beans and constantly farting
But you don't care, you don't feel their pain
You fool yourself, you won't take the blame

Beans are not enough...
Oh Jesus, Mary Magdalene
Virgin Guadalupe, Pepe and Lucretia

Dip your finger in the water, come and cool my tongue
Cause I'm tormented in the flame...

Wednesday, March 15, 2006

Snow In Phoenix?!



Well, not really Phoenix, but Cave Creek and that is close enough. This was the view we woke up to last weekend after a big storm passed through. We drove up to the little fakey Olde Western town near where we live and walked around throwing snowballs at each other. I'll hold onto that memory for summer when the thermometer hits 120.

We missed Bands on Grand last Saturday and unfortunately also missed the Zolar X reunion in L.A., but heard it was fun. I hope they play out here. Hey, if it can snow in Phoenix, then anything is possible, right? Most people write about the exciting things they've done, but I wanted you to experience my boredom vicariously.

Just kidding! I'm never bored. Just depraved. I mean deprived.

Another Women In L.A. Punk Interview is on the way very soon and it's a real treat! Plus, another Bagcast - maybe. We've also added a few new photos to the punk gallery on my website, so check them out if you're interested.

Lots of people writing books these days...keep an eye out for Terry Graham's upcoming book (the working title is "Punk Like Me") and the LONG anticipated collection of photos and stories by JENNY LENS, who was recently 86'd from Whole Foods. What a PUNK!

Not strictly punk related, but another book which promises to be very interesting is Prisoner of X by Class of '77 alumnus Allan MacDonell, all about his sordid life in porn. Sounds like fun!

Sunday, March 05, 2006

Bagcast # 4 - Alice's MySpace Faves

Bagcast #4
3/5/06
Alice Bag's MySpace Faves

Thanks for listening to my series of podcasts so far. I hope you've enjoyed them. For the first three, I drew mostly from my collection of old records for some of my old influences and favorites. For this week's edition, I'd like to spotlight some current bands that I really like.

I don't get out to see bands as much as I'd like, so I rely on the internet to hear new music. In that respect, we're much better off now than we were when I was a teenager, because back "in the old days" we were stuck with listening to the crap that was on the radio. I'd argue that mainstream radio today is just as bad as or worse than it was back in the mid-seventies. No one listens to the radio to hear exciting new music; they listen to the internet.

This set is comprised of some of my favorite bands from MySpace. All of these songs were ripped from their profiles and are low-fi, so if you hear a song you like, be sure to sign up as that band's friend, write to them, go see them play live and support them. Speaking from experience, I can tell you public support can often mean the difference between a young band breaking up when the going gets rough or sticking it out in the face of adversity, and there is a lot of adversity out there. I've provided links to each of the bands and you can go to their pages by clicking on their names.

I know that this is not even scratching the surface of the many good bands out there today. I hope you enjoy this set as much as I enjoyed making it for you!

1. Gracias Mama - Las Ultrasonicas, Mexico City, D.F. If you've never been to a punk show in Mexico, this song sort of captures the manic, out of control atmosphere that can take place.

2. That's Great/That Sucks - The Shemps, NYC, NY. More insane energy.

3. Hitler Was An 'Omo - The Gonads, London, England. My guilty pleasure of this set. I'm not a big fan of Oi style, but this song cracks me up.

4. The Outward Song - The Horribles, L.A., CA. It appears that this band has recently broken up, but I still like the song.

5. Their Cell - Girl In A Coma, San Antonio, TX - I love the guitar hook and I love the singer's voice.

6. Everything Falls Apart - The Ergs, South Amboy, NJ. I know it's only dork rock, but I like it.

7. Not Hot To Trot - Von Iva, S.F., CA. A bluesy voice that suggests experience.

8. Speak Japanese Or Die - Megababe, Tokyo, Japan. Multilingual and proud of it.

9. On A Friday - Babyshakes, NYC, NY. Punky chicks ahoy, indeed!

10. Multiply & Divide - The Soviettes, Minneapolis, MN. This song brings out the math teacher in me.

11. The Search - Overnight Lows, L.A., CA. I love the clean sound and expressive vocals.

12. Running Out Of Things To Say - McQueen, Brighton, U.K. I'd love to see this band live, they sound like they know how to rock.

13. State of Affairs - Bobot Adrenaline, L.A., CA. I saw this band play at a skate park in L.A. and they did a tight, high energy set. I think the guitarist, Pepper, was also in one of all time favorite bands, Buck.

14. Barracuda - 5.6.7.8.'s, Tokyo, Japan. They look as cool as they sound.

15. You Got It - The Okmoniks, Tucson, AZ. A cool band from my new home state.

16. Modern Swinger - The Pink Spiders, Nashville, TN. That chorus is so damn catchy!

17. Poor and Weird - The Briefs, Seattle,WA. One of my fave bands from Seattle, I saw them live in L.A. and ended up in the pit - scary for an old lady. Please come to AZ boys.

18. Something I Said - Thee Invention, L.A., CA. I like the vocals on this one.

19. Alice Bag - The Rogue Nations, Charlotte, NC. A song about yours truly. How could I resist? Thanks, guys!

20. Kill Her Off - The Ropes, NYC, NY. Probably what people are saying about me right now...

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Friday, March 03, 2006

First Fridays

Since our relocation to Phoenix, my family and I have been scouting around town, looking for free or inexpensive things to do where we might run into kindred spirits. There aren't many middle-aged punk rockers with dyed hair running around in my neighborhood. Last weekend (thanks to Karl Wentzel, who tipped us off) we found the annual Matsuri Festival downtown, which was great fun since we are big fans of Japanese street fashion and we got to see some folks dressed up for the occasion. We suggested that they add a mini-Shibuya District for next year's event so people can really go all out!

Another event we've become fans of is called "First Fridays," a free monthly art walk of over one hundred galleries. It takes place after dark throughout Phoenix, but we have grown attached to a strip on galleries on Grand Ave, some of which feature live music. Naturally, it brings out a younger, artsier crowd who just seem to be having a good time, meeting friends and going from place to place. Here's a pic of me and my daughter enjoying an installation entitled "Peeptown."

And speaking of art walks, you can take your own free art walk down by the L.A. River in Boyle Heights. While you're there, be sure to check out this nifty dumpster which features my mug! Thanks to Jessee Zeroxed for trashing me so beautifully.