Monday, November 02, 2009

Raising The Dead

Dia de los muertos (Day of the Dead) is celebrated with all the preparation and excitement of Christmas in my house. While not strictly related to Halloween, in the U.S. the two holidays have become associated by virtue of their proximity to each other, but they are not the same celebration. Dia de los muertos takes place on November 2, the Catholic feast of All Souls Day (which is itself an attempt by the Church to syncretize the pre-Christian practice of communing with the dead at this time of year.)

Dia de los muertos is a time to reflect on the brevity of life and the inevitability of death. The traditional practices are also predicated on the belief that for as long as we remember and honor our dead loved ones, they are still with us. To demonstrate our affection for those who have departed, we build altars and decorate them with photos, personal belongings, favorite foodstuffs and trinkets. We sprinkle marigold petals (the flower of the dead) and light candles to guide the spirits of our relatives home. We set out specially baked pan de muerto and brew hot mexican chocolate with cinnamon so that the aromas will entice the spirits to come and visit us. We decorate our homes with whimsical sugar skulls, calacas and calaveras to make light of death. Sometimes, we dress ourselves up in calavera makeup.


Greg and Alice in calavera makeup: "Hasta la muerte, 2009."

The photos below are from my family's Dia de los muertos altar for this year. I decided to build an altar for my parents, Manuel and Candelaria Armendariz and decorate it with some of their favorite things.


The altar for my mom and dad.

My parents and I used to play Loteria when I was little, so I covered the fireplace with Loteria cards. As I was setting this up, I remembered my father calling out the Loteria cards with funny sayings and rhymes. One of his sayings was "El caso (cazo) que te hago es poco," which was a pun meaning "I'm not paying attention to you."



El Cazo (tub) rhymes with el caso (attention). My friend Gabi wrote me and told me that Loteria cards used to scare her and I realized that some of the images might be scary for a little kid: la muerte (death, pictured as a skeleton), el diablito (devil), el valiente (a man brandishing a machete), la arana (spider), el corazon (a pierced heart), el borracho (drunk) staggering out of a bar...fodder for nightmares, but in my world, Loteria cards meant the family playing together, placing little beans on the game cards and calling out "Loteria!" By the time I was five, my father taught me to play poker, but I digress.

One of my dad's beloved ranchera records by Miguel Aceves Mejia is near the bottom and his old wooden cane (that was later used by my mother) is there, waiting for his return. My papi's old carpenter's mathematics manual is open in the foreground. You can't see them, but there are dried marigold petals sprinkled all over the altar. He loved the sweet Jarritos brand soda pop and would buy it by the case, probably not the best thing since he was a diabetic.


Altar para my padre.

In addition to his favorite soda, I set out his favorite Argus camera, a bottle of Tres Flores brillantina, muertitos playing billiards (like he used to) and Pan de Muerto. I scanned an old photo of him from Mexico and put that in a frame.


Altar para mi madre.

For my mami, I also scanned an old photo of her in Mexico and framed it. I set out a mug of Abuelita Mexican hot chocolate, Jumex canned juices, mazapan (candy), a miniature dining table displaying delicious foods, Pomada de la Campana for aches and pains, her dangling silver earring collection and one of the scandalous periodicals she loved to read. I would have put out a Whopper Jr. from Burger King but I am vegetarian.

This tradition really does raise the dead because the whole time you are planning and building your altar, you are concentrating on your loved ones, breathing life into memories while thinking of them. Last night, as I whisked the foaming hot chocolate into mugs, I watched from a distance as my husband explained the significance of the articles on the altar. My daughter watched him in wrapt attention and it made me feel like our whole family was somehow together because my daughter, who had never met my father and had only briefly known my mother, was getting to know them for the first time. My husband put the final touch on our offerings by putting in a DVD of "A Toda Maquina," a classic Mexican film with Pedro Infante and Luis Aguilar and a favorite of my mom and dad.

"I'm pretty sure they won't be able to resist this," he said. We curled up on the sofa to watch the movie with our hot chocolate, pan dulce and our daughter by our side, happy to be sharing this moment with each other and with the spirits of my mother and father.

Wednesday, October 28, 2009

Autumn Does The Trick

Fall brings with it license to bake and eat candy and dress up in silly clothes, that must be why it's my favorite time of year. My household is in a full Halloween/Dia de los Muertos mood. This year as never before I'm indulging in relatively guilt-free sweet consumption and general silliness.

I had a strange, empowering experience when I was in California a week and a half ago, rehearsing for an upcoming gig in Guadalajara, Mexico. I was awake very early in my hotel room. As I was lying in bed playing with my iphone, realizing I couldn't call anyone, I noticed a full length mirror a few steps away. I had forgotten to pack pajamas so I impulsively got up and stood in front of the mirror in my panties, examining my nearly naked body. Something weird happened. Always in the past I would see nothing but flaws, a paunchy tummy and fat thighs reflected at me but this time as I looked at myself, I was filled with a sense of gratitude. I thought of how my body had seen me through so much, when others' bodies (like Brendan's) had let them down. I hugged myself right there, in front of that mirror and made peace with my body and as corny as it sounds, I whispered: "Thank you for taking care of me." At that moment I could see all the same things that I knew were there - body quirks that I'd seen a hundred times before - but it all looked different now, oddly beautiful.

You're probably wondering how making peace with my body ties in with baking, and to tell the truth I don't know that it does. All I know is that I've just baked a carrot cake which I'm planning to enjoy this afternoon and guilt is not invited to the party.



I was telling my friend Angie about my nearly naked exploits, describing the scars on my body and she told me that she thought scars were like war medals, a sign that your body had triumphed over an ailment or injury. I had never thought of my scars that way before. I think she's right.

Last week Angie came out to Arizona to visit me. She is a crafting dynamo who had me posing for calavera pictures as well as taking turns being a photographer. We sewed little gift projects and I taught her the basics of painting with oil. Thank you Angie, for getting me to pick up a paint brush again.

I was introduced to oil painting through a 6 week class at the local community college last year. Aleksandra Buha was the patient, talented teacher who got me all fired up. She made me feel like an artist and I was sure I'd continue to paint, but when the class was over, I only completed one more painting, a Christmas present for my husband that I'd hoped would hang in his apartment in Houston and remind him of us.



The painting never made it off the easel. I gave it to my husband for Christmas but I declared it unfinished and wouldn't let him take it. Perfectionism reared its ugly head and immobilized me. Everytime I saw the painting I saw things that needed improving but there were so many things I wanted to do to it and I was so unsure of my ability to do them that I just procrastinated and let the painting get comfortable on my easel, making it impossible for me to start another one.
Making a few quick, low-pressure portraits with Angie pulled me out of that funk and my enthusiasm for painting is renewed. Thanks Ange.


Alice Dia de los Muertos portrait by Alice. Angie Dia de los Muertos portrait by Angie.

Most people think of Spring as a time for renewal but for me, Autumn does the trick.

Thursday, October 22, 2009

Deadly Stylish

I love seeing the change of color that happens in the fall. I'm not talking about the leaves on the trees, I’ll leave that to states with flashier foliage. I'm talking about the wickedly tacky Halloween decorations that help this oh-so tastefully homogeneous beige neighborhood loosen up a bit. The trees are festooned with ghosts and bats. An angry saguaro monster menaces an unsuspecting pet, out for an innocent nightly stroll. The great horned owl has returned to the neighbor's tree and hoots a crepuscular concert.


Halloween arrives in the desert...night time view in my neighborhood.

My friend and former bandmate Angie Skull is out here visiting me this week. She's preparing for her first art show which happens to be Day of the Dead themed. She'll be part of a group show at Self Help Graphics that will also feature my friends Rigo Maldonado and Dawn Wirth. The show is curated by badass veterana artist Diane Gamboa and will open November 1st. If you're in L.A. on Dia de Los Muertos weekend, don't miss Self Help's Day of the Dead festivities.

To get into the deadly stylish mood, we dressed up like calaveras and took pictures for her installation. Her piece is called Waiting for Mr. Right. For your amusement, I've included a sample of some of our photos.




Top: Alice as Calavera, bottom: Angie Skull and Alice get deadly stylish.

Yes, it is as fun as it looks, so get on over to your local costume store, buy ye some white make up, and get your calaca on! Remember - there's room for one more.



"There's room for one more!" Alice Bag and Angie Skull live it up as dead girls.

Wednesday, October 14, 2009

Ointments and Balms

Grieving has gone to the web.

Living so far away from so many friends who are in different cities and different time zones, I spent much of yesterday exchanging memories of the recently departed Masque owner Brendan Mullen with some of those out of town friends. Funny, touching stories soon managed to turn tears to laughter, and laughter as we well know is the best medicine. It is an ointment for a tender heart.

I told the story in my previous post about some questionable fashion choices involving my friends and the Masque. As I related it via email to another friend, she ROFL’d at my description of what dressing up to go out meant in those early days of punk. Stashed In my closet, I actually found the old 60’s cutout bathing suit I was telling her about, it's a bit different than I remember but it's even more stylish. I've enclosed a picture so you can imagine a slightly pudgy me wearing this out in public.



In a very natural way our online conversation drifted to children. There is a chapter in the memoir I've written called “Children Are The Balm,” which comes from a line in Jeffrey Eugenides’ novel Middlesex: "Children were the only balm for death." I found that line not only poetic but very true.

My friend, who works in a school, told me about a little girl she was working with yesterday who was having trouble reading the word ‘second’ and my friend said "okay, let's split it up, what are the first three sounds?" They sounded it out, s-e-c- and the little girl burst out with "Sex in the City?!"

I was reminded of my own colorful stories from my teaching days. I was working with a first grade class of English learners. The children were just starting to add and subtract and I wanted to reinforce their writing and reasoning skills, so I gave them all pennies to buy and sell plastic fruit at a make-believe store. The children were instructed to write down their transactions. The room was buzzing with activity when lunchtime snuck up on us. I quickly collected the assignments and took them with me to lunch so I could correct them.

Uncontrollable laughter seized my body in the teacher's cafeteria as I opened the folded pages. The children had used their Spanish language skills to record their transactions:

10 penis-7 penis = 3 penis. I had page after page of penis problems.

Other teachers came over and tried to see what I was laughing at, but I hid the pages, mortified that I'd be fired for teaching them such things!